Classical Music News

The Women's March and #MeToo movement have helped raise the volume for women's voices across the country. But one place where women still struggle to be heard is in America's symphony halls. Take a look at which composers the top U.S. orchestras are performing in the upcoming season, and you will find some surprising disparities.

The sun's season became official this past weekend — so what do you want to hear? Rooftop bops? Windows-down coasters? Sweated-through squall?

Back at the beginning of time, the human voice was the very first instrument. Probably close in second place were folks banging on stuff – in other words, percussionists. The quartet of gentlemen who form the Chicago-based Third Coast Percussion takes primordial pounding into a completely distinctive new league. To be sure, in this Tiny Desk performance, they'll play their sophisticated, modern marimbas and vibraphones, but be on the lookout for the subtleties of tuned cowbells and 3/4" galvanized steel pipes, like those found at the local hardware store.

The #MeToo movement has been a cultural reckoning across industries, from Hollywood to restaurants — but one of the oldest that's been affected is classical music. In March, James Levine, a longtime conductor of the Metropolitan Opera in New York City, was fired for allegations of sexual misconduct. And now, centuries-old works from Carmen to Don Giovanni are being challenged for misogynistic plots and themes.

Don't call Thea Musgrave a "woman composer."

"When I'm composing, I'm a human being," she insists. "It's not a question of sexuality."

In a suit filed Friday by the Metropolitan Opera, five men have made newly public accusations against conductor and pianist James Levine, who was closely associated with the Met for four decades. In total, nine men have now come forward, either by name or anonymously, with accusations against Levine.

The myriad stories about Swedish soprano Birgit Nilsson usually fall into two groups: the ones about her enormous, laser-focused voice and those about her rapier-sharp wit.

Call it a percussionist's answer to Flight of the Bumblebee — with a twist. "Filigree," by composer Robert Honstein, is a rapid-fire workout for solo vibraphone. The instrument's bars, however, are partly covered in tinfoil, which adds a unique layer of color to the music.

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